A mutant party where specialists meet in harmony

The current state of the club music scene in this isolated island country has evolved into an unpredictable form, combining the desire of the audience for the party with the desire of the artist to explore the self-world. Its succession of accidental discoveries have revealed an alarming potential of the domestic club music scene, and it definitely feels like the deepening movement is being carried out at the current moment. It is no exaggeration to say that this lineup is also a product of the desire for fantasy created by the audience. The contrast and fusion of music in high vectors such as regular repetition and irregular distortion, electronic sound and musical instrument sound, inevitable and accidental, refined technology and great strengths that reflect the inclination to break away from the existing, which is difficult to describe in words.
Wata Igarashi’s performances, releases, exquisite and thorough spatial productions prove him to be a global artist in this scene. In the format of Minimal Techno, intrinsic energy and multifaceted nuances are embodied with outstanding transformation technique, and the true value of the complex and expert-like performance is further demonstrated during the deep time when the floor begins to heat up. We are sure that many fans will get a sense of the mysterious feeling of looking up at the complex sound space from within by the skilled guidance into spatial sound processing domain. In contrast to that of Wata’s sound, the World Music and multi-national Psychedelic Music’s treasured Shhhhh adds a different flavor to the lineup. His unique style, addicting and euphoric, connects the core of music with a massive track list as his arsenal. His universe that is enriched with extraordinary navigation, we can anticipate the emergence of utopia from this occasion’s Techno Set performance. In addition, achieving a high standard of expression of Electronic Music, Alminium and ASTMA, who’s sound focuses on Noise/Ambient/Techno that deconstructs in order to reconstruct, will be adding to the lineup promising a high quality musical adventure.
Contact floor takes on a more physical sound that is based around the funkness of organic yet electronic, a sub-scene that has gained strong support in the underground venues throughout Tokyo. Chida, a prominent figure not only in Japan, has gained more and more recognition overseas for his innovative productions. Known for his own label〈ene records〉, appearances at Berghain’s popular party Klubnacht, Discodromo’s queer party Cock Tail d’Amore held in Griessmuehle, Berlin and various parts of Europe, his extended interpretation of House goes beyond to Left Field Disco and Tribal that is extremely valued worldwide. The crew/party TYTL (Too Young To Love) is comprised of the trippy sounds that defy the boundaries of genres by Zooey Loomer, and the unique crossover of driving Bass Music and House by DIL will be going B2B. To complete the lineup we have scrab who’s Tribalistic sound ranges from Techno to Disco and various genres, Daichi and Kamome from Vinyl Youth with their psychedelic cosmic, and the soaring Balearic sounds of Opus giving off their strong yet pleasant fragrance to deepen the night.
Contact’s system will be quenching the thirst of Dance Music fans and liberating the people from the distorted extended world that arose from the external pressures that struck all humanity.